Art as a Portal: New Genres for a Changing Planet
- Nicole Loeser
- Apr 1
- 4 min read
Throughout history, periods of profound change have often inspired artists to respond creatively and critically. Today, amid the complexities of climate crises, social inequalities, and rapid technological advancements, contemporary art emerges once again as a vital tool for transformation. Progressive artists transcend traditional disciplinary boundaries. They reshape communities, and challenge established systems, building upon the legacy of past avant-garde movements. By embracing interdisciplinary collaboration, emerging art forms bridge diverse sectors—including science, activism, philosophy, policy, and technology—to help us envision alternative futures and critically reevaluate how we live, create, and coexist with nature and technology. This article highlights five innovative art movements that are reshaping contemporary practice and prompting us to rethink the role of art in shaping our minds and hearts.
Social Art: Rewriting Narratives, Reshaping Society

Social Art goes beyond reflecting the world—it intervenes in it. Found in protests, community projects, and public spaces, it challenges injustice, amplifies marginalized voices, and fosters collaboration. Artists become facilitators, encouraging co-creation rather than passive observation.
In South Sudan, the Anataban Campaign (since 2016) uses street theater, murals, and poetry to empower a generation against conflict and despair. In Australia, ProppaNOW (since 2003) challenges stereotypes about Aboriginal art, asserting urban Indigenous identity. Theaster Gates’ Rebuild Foundation (since 2009) revitalizes Chicago’s neglected neighborhoods, transforming abandoned buildings into cultural hubs. Meanwhile, Mexico’s Culturans (ongoing since 2015) reshapes urban spaces with murals and performance art, fostering community pride and reclaiming public spaces.
Bio-Art: Redefining Life, Ethics, and Futures

Bio-Art pushes beyond traditional art by using biotechnology, genetics, and living organisms. It questions what it means to create life and forces us to confront the ethics of genetic engineering and synthetic biology.
Eduardo Kac’s GFP Bunny (2000)—a genetically modified rabbit that glows green—sparked global debate on bioengineering and the commodification of life. Oron Catts and Ionat Zurr’s Victimless Leather (2004) grew living tissue into a tiny leather jacket, challenging ideas about sustainability and lab-grown materials. Robertina Šebjanič’s Aquatocene (2016) recorded underwater noise pollution, revealing its profound impact on marine ecosystems and inviting listeners to reconsider humanity’s role in nature.
Bio-Art makes complex science emotional and tangible, prompting us to consider not only what we can do with biotechnology—but what we should do.
Web3 Art: Decentralizing Creativity

Web3 Art redefines ownership and authorship using blockchain technology, smart contracts, and decentralized networks. It empowers artists by bypassing traditional gatekeepers, allowing direct connections with audiences.
Refik Anadol (since 2016) transforms data into immersive, AI-driven NFT experiences, turning machine learning models into living digital art. Pak, a digital artist, explores collective authorship and value through projects like The Merge (2021), a dynamic NFT that evolves with buyer participation. Olive Allen (2022), a Russian-American artist, uses Web3 to address social issues, selling her citizenship-themed NFT to support Ukrainian refugees.
Web3 also fosters community-driven projects like CryptoPunks and Bored Ape Yacht Club, where ownership includes access to online communities and real-world perks, blurring the line between art and social identity.
Eco-Art: Reconnecting with Natue

Eco-Art challenges human-centric views, highlighting our relationship with the environment. It blends art, science, and activism to promote ecological awareness and restoration.
Agnes Denes’ Wheatfield – A Confrontation (1982) transformed a Manhattan landfill into a wheat field, confronting urban excess. Olafur Eliasson’s Ice Watch (2014) brought Greenland ice blocks to city squares, showing climate change’s tangible impact as they melted. Contemporary artists like Marina DeBris create wearable art from ocean trash, exposing pollution’s absurdity. Janet Laurence’s immersive installations combine botanical specimens, glass, and video, evoking the fragility of ecosystems and humanity’s responsibility for their care.
Eco-Art fosters empathy for the natural world, urging audiences to see themselves as part of a larger, interconnected system.
Speculative Art: Imagining Alternative Futures

Speculative Art envisions possible futures, blending science fiction, technology, and philosophy. It questions dominant narratives and offers alternative pathways.
Tomás Saraceno’s Aerocene (since 2015) project imagines flight powered only by the sun and air currents, promoting a fossil-free future. Morehshin Allahyari’s Material Speculation: ISIS (2015) digitally reconstructs artifacts destroyed by ISIS, preserving cultural memory while exploring 3D printing’s potential. Heather Dewey-Hagborg’s Stranger Visions (2012) extracted DNA from discarded hair and gum to 3D-print faces, provoking discussions on genetics, privacy, and identity. Black Quantum Futurism (since 2014), a Philadelphia collective, uses performance, sound, and film to explore time, memory, and Black cultural narratives beyond linear history.
Speculative Art disrupts assumptions, showing that alternative futures are possible—and that imagination is the first step to building them.
Imagining Together
These art forms share a common philosophy: they encourage us to imagine collective futures grounded in ethical collaboration. Art can become a proactive force, shifting from individual creativity toward shared transformation. Social Art reshapes communities, Bio-Art questions the ethics of biotechnology, Web3 Art decentralizes creative power, Eco-Art reconnects us with nature, and Speculative Art invites us to imagine new futures.
Art has always reflected the world around us. Now, it’s inviting us to reshape it, to rethink not only what we see—but how we live, create, and coexist on this changing planet.
About the Author and Interdisziplinary Initiatives
Nicole Loeser is an internationally active curator, researcher, and university lecturer who works interdisciplinarily at the intersection of art, science, innovation, and regeneration. She is the Director of the Institute for Art and Innovation (IFAI) in Berlin and co-founder of The Futuring Alliance, which supports organizations in transformative innovation processes. As a PhD researcher in Producing Social Art for Transformation, she explores how art can shape ethical and sustainable futures.
The Social Art Award, launched in 2017 by the Institute for Art and Innovation, connects artists from 147 countries with global movements.
This year’s open call, themed "Planetary Healing – Blue Tribes for Ocean Health," invites artists to apply until April 15 at www.social-art-award.org.
The Art for Futures Lab (AFFL) Nicole started with Prof. Böhm at the Filmuniversity Babelsberg in 2020. It engages artists, researchers, and communities in co-creating regenerative futures through interdisciplinary approaches such as storytelling, speculative design, and participatory worldbuilding. Recent projects contribute to the UN Ocean Decade and explore green hydrogen futures. www.artforfutureslab.com.
Websites: www.art-innovation.org | www.futuring-alliance.com LinkedIn: Nicole Loeser besten ausstellungen in wien 2025 basieren auf deinen interessinde must-see ausstellungen in wien 2025 mit der myCulture app